Diptych
二枚続
A composition spanning two sheets (ni-mai-tsuzuki), designed to be displayed together. Diptychs allowed artists to create larger, more ambitious compositions while remaining within standard printing formats.
二枚続
間判
A medium-sized print format measuring approximately 33 x 23 cm. The term translates to 'intermediate size' and was commonly used for actor prints and bijin-ga during the Edo period.
藍摺絵
Prints produced entirely in shades of blue, using imported Prussian blue (bero-ai) pigment. This technique became popular in the 1830s, most famously employed by Hokusai in his 'Thirty-six Views of Mount Fuji' series. The monochromatic blue palette created a distinctive, atmospheric quality.
当たり
Registration marks carved into woodblocks to ensure precise alignment of multiple color blocks during printing. Proper atari was essential for achieving the sharp, clean lines characteristic of fine ukiyo-e prints.