Aizuri-e

藍摺絵

Prints produced entirely in shades of blue, using imported Prussian blue (bero-ai) pigment. This technique became popular in the 1830s, most famously employed by Hokusai in his 'Thirty-six Views of Mount Fuji' series. The monochromatic blue palette created a distinctive, atmospheric quality.

Related Terms

Aiban

間判

A medium-sized print format measuring approximately 33 x 23 cm. The term translates to 'intermediate size' and was commonly used for actor prints and bijin-ga during the Edo period.

Atari

当たり

Registration marks carved into woodblocks to ensure precise alignment of multiple color blocks during printing. Proper atari was essential for achieving the sharp, clean lines characteristic of fine ukiyo-e prints.

Baren

ばれん/バレン

A circular pressing pad made from bamboo sheath and cord, used to transfer ink from the woodblock to paper. The printer applies pressure in a circular motion, and the quality of the baren significantly affects the print's clarity and ink saturation. Master printers often made their own baren.

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