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Suzuki Harunobu

鈴木春信

One of the most influential ukiyo-e masters (c. 1725-1770), Suzuki Harunobu revolutionized Japanese printmaking by pioneering the full-color woodblock print (nishiki-e) in 1765. His work is celebrated for delicate, idealized depictions of slender, youthful beauties and poetic classical themes.

Related Terms

Sabi

寂

An aesthetic concept embracing the beauty of imperfection, transience, and the patina of age. While more associated with ceramics and gardens, sabi influenced the appreciation of subtle, atmospheric effects in prints.

Sanmaitsuzuki

三枚続

A triptych—three sheets designed as a continuous composition. Triptychs allowed artists to create panoramic landscapes, multi-figure scenes, and dramatic battle compositions on a grand scale.

Seal

印

Red stamps appearing on prints that identify the artist, publisher, carver, and (in later periods) censor. Reading seals is essential for authentication, dating, and understanding a print's production history.

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